From the Ohr Hachaim Hakadosh on Beshalach: Pharaoh chased after the Jews because he thought he had sent them out. He wanted to retract what he had earlier allowed. But, in fact he did not authorize G-d to end the slavery, he just agreed to be a party to G-d's salvation. When we realize who is joining Whose team, we'll get on board faster, stay for longer and try not to get in the way as much.
Good Shabbos, friends , friends of friends and those whom they like. Good Shabbos.
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Referring to a performer by his or her first name has long been a benchmark of stratospheric success. Though it is less incredible in the Jewish world, it is no less true as Avremel, Abie and MBD have shown and as "Yaakov" "Michoel" and "Yossi" have also, less intentionally shown.
Composers and arrangers don't tend to earn first name recognition. Except Mona. (Granted, his name is Mona.)
I don't truly know what Mona has composed, arranged or produced over the lasts bunch of decades but I know it has been broad, deep and not overly attention-seeking. It was and is all very musical.
From Mona 3, this MBD number is a little over-lyriced for my head to handle; the Hebrew version of same is quite a bit better; but it's still Mo-nificent.
UPDATE: Found the Hebrew version.
HT: HaProfessor on SoundCloud. Quite a good stream as I am noticing!
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UPDATE: I've somewhat wondered how everyone in 770 knew instinctively that this Niggun would be sung by the Rebbe alone. In this clip, you briefly hear a child who didn't (right after the Rebbe sings the first bar).
It is bitter cold in New York.
We have what to be thankful for.
Let it warm our Shabbos souls, and let Shabbos warm our souls.
Yes, dear Malach'l, I can see Kedusha over there!
The Previous Lubavitcher Rebbe was asked why he "wasted" precious resources on the types of people who had abandoned mainstream Jewish commitment and showed no signs of turning back.
"Because," he responded, "there are four sections to Shulchan Aruch. And of those four sections, Choshen Mishpat is the fourth. And within Choshen Mishpat are scores of sub-sections, each with a collection of individual chapters. And in one of the very last sections, covered by a handful of points, are the laws explaining ascent and descent.
"We have to learn in order: the first 3 sections of purposeful, vibrant, joyful Jewish living and the main thrust of the fourth. When we are done, we can look at that last part and dare to judge who is going up or down."
Good Shabbos, friends.
Freely paraphrased from Likkutei Sichos Vol. 1, Parshas Bo, Ch.12-17.
From the most recent "Keep Climbing". I've noted before that AF puts a lot of hope into his message, and a lot of message into his song. Often, the whole shebang is then shmeared in a foot or two of cheese. But, as the lactose intolerant among us can attest, cheese is ultimately fantastic even when you know what it's doing to you.
A soon-to-be-released Moshe Yess tribute project is gaining publicity. We don't have to dwell on the benefits or excitement of the project; or on the vocal and musical results. The people behind the project have an absolute feeling for Moshe Yess, which is evident in the artists participating. And though nothing and no one will come close to replicating that music, those lyrics, that voice, the guitar-slash-bongo, and a neshama from the highest highest high, it's gotta be good.
Here's Aryeh Kunstler singing the already released and free download "Coming Home."
Here's a full Nachum Segal interview with Gershon Veroba and Yossi Zweig about the project. There are a couple of interesting tidbits in there but I'll save you the effort: Less than a month ago Shalom LeVine spent a full day in studio and conducted a full-length video interview on how Megama met and what the process was like. The last 5 minutes of the interview have Moshe himself singing Coming Home.
Go to MosheYess.ca for details and participating artist bios.
Yesterday, R' Shalom Levine, the second half of the Megama Duo, returned his soul. To him and to R' Moshe, o"h: Thank you for the music! Rock on, neshomalach!
As always, thank you Yanky for making this 1981 Minnesota concert available to the world piece-by-soulful-piece. Amazingly, a YESS TRIBUTE recording featuring Shalom is in the works and we'll bez"h be all over that!
The gems of Yom Tov Ehrlich are equal-parts brilliant for their music, lyrics and powerful story-lessons, as in this story of Reb Aharon Hagadol (Karlin).